In: Single Event
BEETHOVEN!
April 16, 2015Arts Partner: Cecilia Chorus of New York
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May 2, 2015
8:00 pm
Mass in C Major – Choral Fantasy – finale to Fidelio Mark Shapiro leads The Cecilia Chorus of New York, now in its second century, in an all-Beethoven program. Seven vocal soloists, a piano soloist, and a full orchestra join the 200-voice chorus for the composer’s Mass in C, Choral Fantasy, and the finale from Fidelio. Featured (more…)
Teatro Hugo & Ines: Short Stories
April 16, 2015Arts Partner: HERE Arts Center
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April 23, 2015
7:00 pm
“Superb! …their partnership is one of the wonders of the age!”— LOS ANGELES TIMES Teatro Hugo & Ines combines mime, dance, and puppetry to create a riot of characters using just the performers’ knees, feet, hands, elbows, and a handful of props. Each performance introduces a parade of memorable beings who, in their brief moments (more…)
Teatro Hugo & Ines: Short Stories
April 16, 2015Arts Partner: HERE Arts Center
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April 22, 2015
7:00 pm
“Superb! …their partnership is one of the wonders of the age!”— LOS ANGELES TIMES Teatro Hugo & Ines combines mime, dance, and puppetry to create a riot of characters using just the performers’ knees, feet, hands, elbows, and a handful of props. Each performance introduces a parade of memorable beings who, in their brief moments (more…)
Teatro Hugo & Ines: Short Stories
April 16, 2015Arts Partner: HERE Arts Center
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April 21, 2015
7:00 pm
“Superb! …their partnership is one of the wonders of the age!”— LOS ANGELES TIMES Teatro Hugo & Ines combines mime, dance, and puppetry to create a riot of characters using just the performers’ knees, feet, hands, elbows, and a handful of props. Each performance introduces a parade of memorable beings who, in their brief moments (more…)
Bloowst windku: Rebecca Davis
April 16, 2015Arts Partner: HERE Arts Center
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May 2, 2015
8:30 pm
“The work bursts at the seams with powerful images and movements…”— THOM DONOVAN, BROOKLYN RAIL Bloowst windku [bloom-twist-windmill-haiku] is an hour-long performance for three dancers in which sound, light, and movement are compositional equals. Within a glowing room constructed from hundreds of used security envelopes collected over three years, the familiar is rendered strange as (more…)