after the credits questions how human existence itself is inherently subject to high levels of visibility. We are often exposed, but seldom seen. In the realm of this dance work, being seen can be defined as being acknowledged, accepted, listened to, understood, held, loved, and supported in the most genuine ways. It is the connection to (more…)

after the credits questions how human existence itself is inherently subject to high levels of visibility. We are often exposed, but seldom seen. In the realm of this dance work, being seen can be defined as being acknowledged, accepted, listened to, understood, held, loved, and supported in the most genuine ways. It is the connection to (more…)

NYC Premiere Bill Shannon premieres Touch Update, a new work exploring contemporary modes of digital versus interpersonal representation and physicality. Touch Update “reverse engineers” Shannon’s virtuosic technique for dancing on crutches, as he dissects and dismantles the multiple online identities we create in order to mask and manipulate our lived experience. Shannon’s crutch choreography is performed by Cirque Du Soleil artist Raphael Botelho (more…)

NYC Premiere Bill Shannon premieres Touch Update, a new work exploring contemporary modes of digital versus interpersonal representation and physicality. Touch Update “reverse engineers” Shannon’s virtuosic technique for dancing on crutches, as he dissects and dismantles the multiple online identities we create in order to mask and manipulate our lived experience. Shannon’s crutch choreography is performed by Cirque Du Soleil artist Raphael Botelho (more…)

Fantasque, a NYC premiere, is an ebullient and magical pageant created by choreographer John Heginbotham and puppeteer Amy Trompetter. Giant puppets and human dancers join forces to create a fable of a battle of light and darkness, with a fantastical cast of characters featuring giant babies, blue angels, devils, rats, and a restaurant where the customers are tuxedo-wearing fish. Performed to (more…)