“Isn’t it imperative / to cross the sea / to cross the street / this time around / to go straight to the wound / and do not touch.” (from the libretto) In The Commons Choir’s new work, mayday heyday parfait, a diverse cast of 15 weaves a multi-layered narrative in complex musical harmonies and highly personal (more…)

“Isn’t it imperative / to cross the sea / to cross the street / this time around / to go straight to the wound / and do not touch.” (from the libretto) In The Commons Choir’s new work, mayday heyday parfait, a diverse cast of 15 weaves a multi-layered narrative in complex musical harmonies and highly personal (more…)

“Isn’t it imperative / to cross the sea / to cross the street / this time around / to go straight to the wound / and do not touch.” (from the libretto) In The Commons Choir’s new work, mayday heyday parfait, a diverse cast of 15 weaves a multi-layered narrative in complex musical harmonies and highly personal (more…)

When David Bowie died, performing artist Soomi Kim was suddenly reminded of her own coming of age in the MTV generation and her adolescent desire to be the exotic Asian woman in Bowie’s China Girl video. MLCG (My Little China Girl) is a high octane solo performance that traverses Kim’s experiences as a first generation (more…)

When David Bowie died, performing artist Soomi Kim was suddenly reminded of her own coming of age in the MTV generation and her adolescent desire to be the exotic Asian woman in Bowie’s China Girl video. MLCG (My Little China Girl) is a high octane solo performance that traverses Kim’s experiences as a first generation (more…)