In: Single Event
The Comedy Of Errors
March 1, 2017Arts Partner: Classic Stage Company
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March 10, 2017
7:00 pm
By WILLIAM SHAKESPEARE Directed by TYNE RAFAELI Adventure and mayhem in a foreign land, mistaken identities, reunions of estranged twins…don’t miss this production of one of Shakespeare’s earliest comedies is specially tailored for young audiences by our Young Company. Now in its second decade, the Young Company makes Shakespeare accessible, relevant, and fun to students (more…)
Mentor Project 2017: Esai’s Table
March 1, 2017Arts Partner: Cherry Lane Theatre
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March 23, 2017
7:00 pm
Cherry Lane’s Obie Award-winning Mentor Project is the cornerstone of our development programs. Mentor Project engages leading dramatists in one-on-one mentoring relationships with emerging playwrights for a theater season, the result of which is a showcase production in our Studio theater. Esai’s Table follows the journey of three young black men on a mythical night (more…)
New York Theatre Ballet: SPRING CONCERTS
March 1, 2017Arts Partner: New York Live Arts
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March 4, 2017
7:30 pm
**Get your tickets before sales close Friday 3/3 @ 2pm** “Never before in my experience of this troupe have its performers made so engaging and memorable an impression,” said The New York Times of New York Theatre Ballet’s debut performance at New York Live Arts. NYTB returns with a brand new season of its highly acclaimed Legends & Visionaries (more…)
DIDEROT STRING QUARTET
March 1, 2017Arts Partner: Music Before 1800
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March 30, 2017
7:30 pm
“I caught afternoon performances, from Tuesday through Thursday, by the Diderot String Quartet, anchored by the cellist Paul Dwyer, who had led off the festival with a peripatetic survey of Bach’s cello suites.” —New York Times Bach to the Future: The Legacy of the Fugue Johann Sebastian Bach’s music had fallen into obscurity until Felix Mendelssohn’s (more…)
Elizabeth Blumenstock, Beiliang Zhu and Aya Hamada
March 1, 2017Arts Partner: Music Before 1800
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March 16, 2017
7:30 pm
“Violinist Elizabeth Blumenstock was the featured soloist, and her performance was dazzling. She was able to elicit a hauntingly beautiful tone.… The audience was transfixed, leaning forward silently to hear every note of these pianissimo passages.”—Peninsula Reviews “Zhu’s butter-smooth sound [is] perfectly suited to her long chromatic lines.”—Boston Musical Intelligencer “Hamada’s playing is skillful and (more…)