Bang on a Can co-founder Michael Gordon blends “the fury of punk rock, the nervous brilliance of free jazz and the intransigence of classical modernism” (The New York Times). He’s constantly staking out new territory—a quest exemplified by Hyper, his musical manifestation of a never-ending staircase that, curiously, delivers the climber back to the point where they began. This same inquisitiveness draws him to Bach, a harmonic and structural innovator. The program pairs Gordon’s chamber pieces with two of Bach’s concertos

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