No Longer Empty: This Side of Paradise
The Andrew Freedman home was founded by self-made millionaire Andrew Freedman (1860-1915). It was built in 1924 as Andrew…
Dreaming Big in “Tomas Saraceno’s Cloud City”
As I amble towards the Metropolitan Museum of Art on a bright summer morning, I am once again struck…
Schiaparelli and Prada: Impossible Conversations
We’ve all seen the handbags with the infamous upside down triangle. Whether its real or fake, Prado v. Prada…
High Flying, Yes…Adored, Not So Much: An Evita Revival Review
Throughout history, women have played an influential role in politics, many without ever having official power. Eva Perón, wife…
Magic/Bird Captures Real-Life Personalities and Friendship
“Magic/Bird,” Eric Simonson’s new play at the Longacre Theatre about the eponymous basketball players, does a terrific job at…
Olives and Blood: A Theater Review
The play ends on a dramatic note, although the resolution has been evident from the start, and the audience…
Macbeth, The One Man Play
“That Play” is a timeless, murderous story that many performers have attempted to tackle. Tom Gualtieri and Heather Hill…
Memphis
Memphis is one of the most heartwarming down to earth musicals I saw in 2012. The story in Memphis…
Trying to Decipher Reggie Wilson
Reggie Wilson is a determined choreographer who has a keen interest in identity. In “theRevisitation,” Wilson shares his culture…
Neo-Futurist explore the “Hero’s Journey”
The New York Neo-Futurists brings the viewer an interactive experience, in their usual style, through a dance performance called…
PINA: a documentary by Wim Wenders
Wim Wenders’ PINA, showed at the Brooklyn Academy of Music, is a beautifully directed and edited documentary. So much is revealed ,…
NYC Premiere of Shakespeare High
Going to the Film Society of Lincoln Center was a good idea to start off our first film in…
Film Editing with Jennifer Ruff at NYU’s Tisch
Irritated, lost and matted by a tired, cold sweat, I arrived at the Tisch School of the Arts at…