Roundabout Theater Company’s revival production of Violet by Brian Crawley and Jeanine Tesori has been inspiring theatergoers ever since its opening night at the American Airlines Theater this spring on Sunday, April 20. The show itself has had modest beginnings, having appeared Off Broadway in 1997, but Violet is finally getting its well-deserved recognition. The production, unlike most musicals, is able to resonate with people and portray a meaningful story without an extravagant set or costumes. It is, in fact, the simplicity of the way this show is presented that adds to its realism.

The show portrays the story of a young woman named Violet (Sutton Foster), who seeks out a famous preacher to remove a facial scar. Violet’s search for her identity and her goal to become pretty reflects the values of our society and the expectations women were expected to live up to in the 1960s. Beauty is what defines a woman, thus Violet feels restricted and judged because of her scar and seeks a way to free herself from it. The experiences and the people that Violet encounters on her journey help her to realize the true meaning of beauty.

Besides the wonderful storyline, this production of Violet has an array of strengths. The music of Violet is both thrilling and unique, featuring a variety of genres including country, folk, gospel, blues, and honky-tonk rock. Not to mention that Sutton Foster is able to connect to the audience in her portrayal of Violet with both perfectly incorporated witty jokes, and her passionate determination.

Although Violet is without a doubt a star vehicle for Foster, other members of the cast also shine. Joshua Henry, who stars as Flick, has the audience hanging on the edge of their seats during his number, “Let it Sing.” His performance is among many other standouts, including Colin Donnell as Monty and Alexander Gemignani as Father.

Overall, Violet raises important questions about the meaning of true beauty and provides powerful insights about the search for one’s identity. It is a must-see.

Image: roundabouttheatre.org